Scenic & Lighting Design
Recent local work includes Bluebeard's Castle for the Milwaukee Symphony Orchestra, Mirandolina, and I am My Own Wife for the Milwaukee Rep, Twelfth Night for Milwaukee Shakespeare and Elmer Gantry, Madama Butterfly, Don Giovanni and Salome for the Florentine Opera.
Past work includes the international tour of impermanence and mercy composed and directed by Meredith Monk with performances at the Brooklyn Academy of Music Next Wave Festival as well as the scenic and lighting design for the Florentine’s new production of The Magic Flute, Tristan und Isolde and Macbeth, as well as the lighting for Tosca, Il Trovatore, Carmen, La Bohéme and The Pearl Fishers for Nashville Opera, Don Giovanni for Opera Cleveland, Fidelio for Vancouver Opera, Madama Butterfly for Atlanta Opera, The Tales of Hoffman for Opera Pacific and Houston Grand Opera, Carmen for Opera Ontario and Opera Columbus, Don Carlos for Portland Opera; Rigoletto, Andrea Chenier, Eugene Onegin, Tosca, La Traviata for New Orleans Opera; Madama Butterfly and Help, Help the Globolinks for Madison Opera; Armadale, Tartuffe, King Lear, Half Life and Bad Dates for the Milwaukee Rep;
and many shows at Houston’s Alley Theater, among them: Three Tall Women, Oleanna, All in the Timing, Wait Until Dark and Death and the Maiden. As Lighting Director for Houston Grand Opera, she supervised lighting for such productions as Andrei Serban’s Elektra, Dr. Jonathan Miller’s Der Rosenkavelier, Aida and the world premieres of Harvey Milk, Desert of Roses and Dracula Diary.
Her architectural and public space lighting is installed throughout the Midwest, and is a component in the AIA Wisconsin honor award winning pedestrian footbridge that spans the Milwaukee River.