| FOR IMMEDIATE RELEASE
Contact: Amy Erato, Marketing & Public Relations
Phone: 414-291-5700 ext. 222
Email Amy
Enjoy Shakespeare at the Opera with the Florentine’s
All-New Production of Verdi’s Macbeth
What:
Macbeth by Guiseppe Verdi
When:
Friday, February 23, 2007 @ 7:30
Saturday, February 24, 2007 @ 7:30
Sunday, February 25, 2007 @ 2:30
Where:
Marcus Center for the Performing Arts
929 N. Water Street, Milwaukee, WI, 53202
Tickets:
Single tickets for Macbeth range from $25 to $136 and are available
online at www.florentineopera.org; or by phone at 414-291-5700 ext 224.
Supertitles:
Macbeth will be sung in Italian with English translations projected above the
stage.
Description:
The Florentine Opera Company will present Verdi’s take on Shakespeare’s classic
tragedy February 23 through 25, 2007. The Florentine continues its tradition of collaboration with other Milwaukee-area arts groups as Paula Suozzi, Artistic Director of Milwaukee Shakespeare, makes her debut appearance as Stage Director. Driven by the prophecies of a coven of witches and the destiny of a power-mad nobleman, this tragic tale follows Macbeth as he leaves a bloody trail behind him during his quest to become King of Scotland. After coming to power through deceit, murder and intrigue, Macbeth soon learns that he must maintain a rule of bloody tyranny in order to keep the crown he so covets. Set amidst the desolate heath of the Highlands, the eventual fall of the power-mad Macbeth is sure to thrill audiences as they watch the fulfillment of the witches’ prophecies come to pass. Sung by a critically acclaimed cast and brought to striking life through all-new sets and costumes, Macbeth has all the ingredients to thrill and enchant audiences.
SYNOPSIS
Act I- A thunderstorm is dying down. The witches announce that Macbeth has arrived. He approaches with Banquo, The witches greet Macbeth in three ways: as the thane of Glamis, the thane of Cawdor and the King of all Scotland. Since Macbeth is only the thane of Glamis at this time, he is taken aback and confused. Banquo asks the witches to foretell his future, they answer: “you will be lesser yet greater than Macbeth, happier than he and the father of kings.” Then the witches move away, and messengers arrive from Duncan, the King of Scotland. They announce that the thane of Cawdor has been killed and that Macbeth has been chosen to receive the title. Macbeth is deeply amazed, and wonders if the rest of the prophecies will come true. In the hall of the family castle, Lady Macbeth reads a letter from her husband that tells her of the prophecy. She understands that her husband would like to become king but fears that he will not be bold enough, and pledges to use all her cunning to help him. When Macbeth arrives, she tells him that King Duncan is on the way to the castle and urges him to act. Duncan and his entourage enter and are shown to their chambers. During the night, Macbeth sneaks into the King’s chamber, and Lady Macbeth hears her husband’s voice. A moment later he arrives, terrified and holding a bloody dagger. Lady Macbeth quickly places the dagger in Duncan’s room and dabs the servants with blood to incriminate them. She drags her husband away and knocking is heard at the door. Banquo and Macduff arrive to wake the king; they emerge horror-stricken and announce his murder.
Act II- Macbeth confesses to his wife that he is troubled; he has won the thrown of Scotland by killing Duncan, but now fears the other prophecy of the witches, which foretold that Banquo would be the father of all kings. He decides that Banquo and his son must be killed to prevent the prophecy from taking place; Lady Macbeth is clearly shaken. Assassins prepare an ambush in Macbeth’s grounds, and hide in the trees and wait for Banquo and his son. The two enter and Banquo is struck. His son flees. In the meantime, a sumptuous banquet is prepared to celebrate the new king. At the banquet, one of the assassins tells Macbeth that Banquo is dead but that his son has escaped. At that moment, the ghost of Banquo appears, shocking the guests. Lady Macbeth tries to distract the guests by proposing a toast, and tells Macbeth that he must maintain his courage; the dead cannot return.
Act III-The witches are in their cave, busily stirring an enormous cauldron. Hecate, along with devils and spirits, announces to the witches that Macbeth is about to arrive and the ruin that awaits him cannot be postponed much longer. Macbeth arrives and asks the witches to tell him about his future, since he is frightened by the vision of Banquo’s ghost. He learns that he must be wary of Macduff. Then, a voice tells him that no man born of woman can harm him, and also tells him that he will keep his crown until he sees the Birnam Wood march against him. Macbeth asks if Banquo’s line is destined to reign, and Bagpipe music is heard and eight kings appear followed by Banquo holding a mirror. Macbeth tries to attack them but collapses. The spirits and witches dance around him. He finally awakes in his wife’s arms. They try to console one another and agree that they need only to kill Macduff and Banquo’s son to keep their power.
Act IV- Scottish fugitives and rebels recall the oppression by the bloody tyrant king Macbeth as they hide on the border dividing Scotland and England, not far from Birnam Wood. Macduff weeps and recalls the loss of his wife and children who were slain by Macbeth. He swears that he will avenge his family. Malcolm, son of the dead King Duncan arrives and leads a group of English soldiers. He orders his men to hide in the bushes and prepares for attack. Lady Macbeth, being looked over by a doctor and a lady-in-waiting, is in her castle in a state of madness and describes the murders while she tries to clean her hands of blood. In another hall, Macbeth is preparing for the battle. He is certain he will be victorious. A messenger tells him that his wife has died, and he remains unmoved. A group of soldiers arrive bringing terrible news: Birnam Wood is moving. Macbeth leaves to fight. The English soldiers advance slowly, each carrying a tree branch. Malcolm signals the attack; the men break cover and charge. Macbeth and Macduff fight. Macduff tells Macbeth that he was torn prematurely from his mother’s womb and was not, therefore, born of woman. The battle rages and a group of Scottish women appear, announcing victory. All the prophecies have been fulfilled; Macduff has killed Macbeth in battle, and Malcom is the new King of Scotland.
ARTISTIC INFORMATION
Macbeth / Fred Burchinal
One of the world’s most acclaimed baritones, Mr. Burchinal appears regularly with the Metropolitan Opera. Since his 1988 debut as the title role in Macbeth, Mr. Burchinal has appeared in numerous roles, including Alfio/Tonio, in Cavallaria Rusticana I Pagliacci, Amonasro in Aïda, Scarpia in Tosca, Sharpless in Madama Butterfly, and in the title roles of Simon Boccanegra and Rigoletto. In addition to many European engagements, Mr. Burchinal made his Asian debut in 2003 with the Opera of South Korea, and has also sung in Brazil in the title role of Falstaff with the São Paulo Opera.
Lady Macbeth / Cynthia Lawrence
Cynthia Lawrence is a regular guest of leading opera companies around the world, including the Metropolitan Opera, New York City Opera, Lyric Opera of Chicago, Opera Pacific and Opera Colorado. She has appeared around the world with companies such as the New Israli Opera, Deutsche Staatsoper Berlin, Grand Theatre de Geneva and Opera Enschede Holland. She appears frequently in concert with Luciano Pavarotti throughout the world, and has also performed opposite Placido Domingo with the Metropolitan Opera.
Other members of the cast appearing in this production include:
Macduff / Jorge Lopez-Yanez, tenor
Banquo / Stefan Szkafarowsky, bass-baritone
Malcom / Eric Johnston, tenor
Paula Suozzi—Director
Raised in New Jersey, Paula Suozzi, Artistic Director of the Milwaukee Shakespeare, made her debut in Milwaukee when she was 30, directing Skylight Opera Theatre's The Marriage of Figaro. In 2003, she brought a wealth of experience, including seven years as Associate Artistic Director with the Skylight Opera Theatre, to Milwaukee Shakespeare, where she has directed numerous acclaimed productions including The Comedy of Errors, Julius Caesar, The Merchant of Venice, The Taming of the Shrew, A Winter’s Tale and Richard II. Before moving to Milwaukee, Ms. Suozzi worked as the assistant director for the San Francisco Opera.
Joseph Rescigno—Conductor
Florentine Principal Conductor Joseph Rescigno will lead the Milwaukee Symphony Orchestra. Maestro Rescigno conducts two productions in the Florentine Opera’s 2006-07 season, his 25th season with the company. Opera and symphony lovers have seen him conduct at the New York City Opera, Lyric Opera of Chicago, Montreal Opera and the Montreal Symphony, Dallas Opera, The Washington Opera and elsewhere in Canada, France, Italy and Japan.
THE FLORENTINE OPERA COMPANY
Milwaukee’s Florentine Opera Company is Wisconsin’s oldest and most enduring performing arts organization. It is also the fifth oldest opera company in the United States. Today Florentine audiences enjoy beautiful main stage productions each season that include first rate vocal artistry, the visual excitement of elaborate, period authentic sets and costumes, high drama, light-hearted comedy and superb choreography. Audiences also enjoy outstanding modern works such as the 1999 North American premiere of Lowell Lieberman’s The Picture of Dorian Gray, the 2002 Milwaukee premiere of Benjamin Britten’s A Midsummer’s Night’s Dream and the 2003 Florentine premiere of Richard Wagner’s Tristan und Isolde. |